Sunday, 3 November 2013

Sweet Sixteen Film Analysis (Mikaela)

Sweet Sixteen


The film sweet sixteen, directed by Ken Loach and produced Rebecca O'Brian, it is a social realism film about a teenage boy who was bought up in a broken family. It was realised on the 21st of may 2002, it made a box office income of $316,319.
The name sweet sixteen is a play on words as it is typically linked with young girls turning 16.

The Narrative
It is filmed in the view of a typical 16 year old Scottish boy. The young boy Liam is shown to be a bit of a trouble maker as well as a bit of a joker who spends time mucking about with his mates like most 16 year old boys.

In this essay I will analyse part one of the movie to get an idea on the target audience and the purpose of the film I will do this by looking at three specific things which are camera angles, editing and mise-en-scene.


Camera Shots

In this screen shot we can see a close up which is one of the many camera angles used through out the film, of hands which shows people exchanging money for cigarettes. This tells us that the young boy sells cigarettes in pubs to earn a bit money. It also suggest that he is a stereotypical teenage boy that does everything he can earn a bit of money even if it does involve him committing crimes.



 

 
In this screenshot we can see another close up which is of the boys face however we can also see the field in the background which means a wide shot has been used, this lets us to see more of the surroundings and get a clearer idea of the setting. We are shown a different side of the  stereotypical troublemaking teenager in this picture, we can see by the expression on his face that he is unhappy, it seems as though he doesn't want to be going where ever it is he's going. He looks as though he is daydreaming or even wishing he was going somewhere else.
 
 





Mise-en-scene

This picture shows us what the main character himself is wearing as well as his friends, each of them are wearing a cap and baggy jacket. This emphasis further on the stereotypical view of teenagers and how you would expect the typical troublemaking teenager to be dressed quite scruffy, we can assume that himself and his friends spend their time causing mischief and laughing at other peoples expense. This also gives us a clearer idea on what year this was set in.

 

 
In this picture you can see the young boy standing next to motor bike that has just been knocked down which proves the point that he is mischievous and troublemaking. The medium shot shows that the boy is just about to take the police helmet, this emphasises further on the fact he misbehaves and is involved in criminal activities regularly.

 
 
 
 
 
  
In this picture we can see the teenage boy with his parents and granddad. We can see that his mum is in prison which suggests to us that this could be part of the reason his family is broken. we can see on Liam's face that he doesn't want to be there, we can also see that he is worried about his mum and knows something is wrong.
 

 
 
 
 
 
Editing
 
 
 
 
At 2:13 there is a straight shot, the camera was on Liam and his friend selling cigarettes and then changed to the bar where we can see the bar owner. The use of straight shot shows us the difference in the characters, the children are trying to earn a living as well as the bar owner however he is furious with the fact that they are doing it in his pub.
Through out the whole film straight shots are used. This helps the film look more realistic.
 
 
 
Conclusion
 
 
The film is targeted at young people between the ages of 16-24 as they feel empathy towards the characters. We can see this because of the edditing and camera angles used.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 



 

Saturday, 2 November 2013

Detailed deconstruction of 2 film posters with reference to 3 more (PAULINE KATE BALUYUT)

Film poster annotation - Pauline Kate Baluyut







Target audience profile 
As the colour palette used in this poster is compromised using mostly 'masculine colours' and only displays male actors I have come to the conclusion that this film poster is targeted to the male audience aged 15 years or above, as this film is also rated 15+

Conventions used, in short summary: 
  1. Film title 
  2. Reviews/buzzwords: 'Mesmerising', 'striking' and 'stunning'
  3. Image: the image(s) is done in poor lighting giving the poster a somewhat 'dark appeal' 
  4. Tagline/banner: You only get one chance  
  5. A main colour palette: Green, black, white and red   
  6. Billing block





Conventions used, in short summary:  

  1. Film title 
  2. Image: the image(s) is done in bright yellow lighting 
  3. Tagline/banner: Some guys just can't handle Vegas
  4. A main colour palette: gold, brown and black 
  5. Film release date  
  6. Billing block 









Conclusion: 
After my deconstruction of the above film posters, I have come to the conclusion that the conventions my peer, Mikaela Lawrence should include on her poster drafts are: 
  1. A billing block 
  2. Title of the film
  3. Main image 
  4. Main colour palette, which goes hand-in-hand with trailer's theme and story 
  5. Film release date 
  6. Age certification 
  7. Banner 
  8. Buzzwords 
  9. Billing block 


Saturday, 12 October 2013

Detailed deconstruction of 2 film magazine front covers with reference to 3 more (PAULINE KATE BALUYUT)

Fashion Magazine - Vogue

Pauline Kate Baluyut








Conventions used by both Vogues: 
  1. Price  
  2. Masthead 
  3. Main image: Both are well lit allowing people to see the bright contrasting colour palettes used and clothing worn by the models.  
  4. Date of issue releases 
  5. Coverline : from flats to thigh-highs the shoes of the season, this is placed there to attract fashion conscious people, as they would like to be up to date with fashion and trends.

Target Audience profile 

Vogue allows its magazine issues, like any present day mainstream magazines to be purchased both in retail stores and digital means; through the use of an iPad or Kindle. It is a magazine that informs its audience of the current and predicted fashion trends.
Throughout its issues, models are displayed in confident poses and clothed flatteringly. Having only the two electronic gadgets, to promote their internationally known company, further hints at us that the target audience for Vogue magazine are those who are materialistic and prefer the paper copy instead of the electronic copy, and have a lot of disposable income. They spend their leisure time among books and magazines as the Kindle and iPad are technologies that both offer users the ability to browse countless novels and magazines in its app store.
They are consumers who are keen to purchase big brands despite the cost. They live in areas connected to the rest of the world, such as London. Areas allowing them to have more awareness in trends, areas that also contain transnational companies, such as Louis Vuitton and Guess.
They go abroad on their holiday - preferring to go to luxurious exotic locations/countries with good international links, such as Canada, France, Australia, the UK, the US and Japan.
Vogue magazine's target audience are likely to have been those born in the early 1980s to early 1990s, when computers were not commonly used, instead  television, books and magazines were relied upon to get information. This indicates to us, that the target audience's age is 24-34 years old.
As the front cover only displays females respectively clothed, it highlights the idea that the magazine is targeted specifically to the female audience.


Music magazine  









Gossip magazine





Film magazine annotations

In order for me to entirely understand the reasons that make certain mainstream film magazines such as 'Total film' and 'Empire' both successful, I must pinpoint the conventions that are used on both magazines, so that I am also able to create a prominent film magazine.

Total film

Total film magazine is successful, as it is a versatile business; it allows readers to view its magazine by print and electronic means (through downloading the app on the Apple newsstand/Google play). This means that it will not lose profit due to the rising global demand of magazines/books/newspapers to be made available on electronic systems. The app also has extra functions which allows its market to see trailers, pictures and animation. Total film targets its audience with a range of different platforms such as its website, YouTube channel, Twitter page, Facebook page, iPad app and Google+ page.

Total film has released at least three versions of its November 2010 magazine issue promoting the 'Harry Potter Franchise' (depicting three different characters, Hermione, Harry and Ron). This is done so that each magazine version will attract a specific Harry Potter audience, e.g. the issue which features the character, Hermione Granger, displays Hermione as having an audacious and brave stance which is often seen in male characters. This is what may captivate the female audience and fans of Hermione Granger to this magazine issue.








Conventions used by Total Film magazine:
  1. Masthead
  2. Main Image: the main image seems to illuminate its models due to the use of bright lighting, shone from the back. Despite this the model's features standout due to the dark shadows and outlines of light that illustrate their key features. This hints at us that the film has a dark plot. 
  3. Barcode 
  4. Tagline  
  5. Rhetorical question 
  6. Film title (Harry Potter 7)
  7. Banner (The modern guide to movies) This is used to entice people into buying the magazine issue, as they would want to be up-to-date with the latest film news. 
  8. Article (often referred to as coverline)
Total film is published by Future PLC (often referred to as Future publishing) whose headquarters are located in Bath (United Kingdom).
Total film magazine releases its magazine to costumers on a monthly regime, with the price of £3.99. Meaning that costumers will have to pay a maximum of £47.88 each year in order to have all the complete 12 issues.

Target audience profile

Total film targets their target market mainly by the use of digital technologies (such as tablets, computers and mobile phones), this means that the target market for this film magazine are those who earn  large surpluses of money through a stable full time job. They are customers who are driven with the impulse and enthusiasm of gaining more information/news about movies, than their peers.
In their 'free/leisure time' they spend vast amounts of hours watching movies and using social media websites such as Twitter, Facebook and YouTube. They are costumers who purchase film magazines such as Total Film (through apps and newsagents) which will enable them to know which movies around the world are currently being showcased. This also means that they are likely to have been born during the late 1980s to late 1990s, as these were the years that people internationally began to use and create more digital technologies, such as computers thus suggesting that the target audience's age is 19-29 years old. They are costumers who live in urban areas near London, areas that offer a wide range of resources that will help their knowledge of films and technologies grow quickly. For their holidays they go to countries that offer a good film background such as the US, to visit studios such as 'Universal Studios'.
 As Total Film magazine also uses both genders as models for the front covers of their magazine, it unveils the idea that they are targeting both genders.

In brief, this means: 
Their TAP : both genders aged 19-29 years of age, with an interest in the film department/industry and who likes to keep updated, by the use of social media networking websites.

Empire 

Like Total film, Empire magazine is downloadable by electronic means by the use of app stores such Google play. They have their own website, that allows people to read "movie news", blogs and reviews. Users can also enter competitions and buy the "iPad" edition issues of their magazine. They circulate their issues monthly, at the price of £3.99 each. 

There are tabs allowing people to like them on Facebook, follow them both on Twitter and g+. They also have connections with other social media networking websites such as Pinterest, tumblr, and YouTube. This makes them a company that users can access globally.  

There are promotions on their websites to encourage more people to buy their magazine such as the "subscribe today and get 6 issues...£12.50". Normally six magazine issues cost, £15.96 (£3.99 x 6). This means a saving of £3.46.

 This makes their magazine look cheaper than others. 

They are published by Bauer media group, whose headquarters are located in Hamburg (Germany).




Target audience profile 

As 'Empire' magazine uses very similar conventions that 'Total film' magazine uses, I have come to the conclusion that they target the same market. This means that Empire, targets both genders aged 19-29 years old. A market who are digital natives, used to the life surrounded by technology. They enjoy reading news about new movie releases and downloading film apps, thus keeping their knowledge of the film industry updated and highly developed. They like to visit locations where mainstream films have been filmed. They are likely to watch films straight from the cinema, because they couldn't  wait till the DVD copy comes out, as by then everyone they know will have known or watched the film, before they have had the chance to.




Above, I have annotated a fashion magazine and two mainstream film magazines. But as we plan to make an independent social-realism film trailer, I have come to the conclusion that I must also annotate an independent film magazine. Below is my annotation of an independent film magazine.

Filmmaker

Like mainstream film magazines, Filmmaker has its very own website which promotes its magazine brand. Which also includes social media network tabs, that allow web users to interact and help promote their product by a twitter follow and a Facebook like. It is clear to note that there's a smaller percentage of social media websites that promote their business (only twitter and Facebook).

Their website allows people to view newly released independent film trailers, read columns, interviews and get updates about festivals and events.

They are released by Independent Filmmaker project, whose headquarters are in America, every quarterly. It costs $5.95 each which roughly converts to £3.58.


Target audience profile
The layout of the magazine looks dull and simple suggesting a target market of an older age. The models/actors displayed on the magazine alternate from both genders, meaning that it is targeted to both males and females.
 As the website only invites users to like and follow the website, from only Facebook and Twitter this hints that the target market is a digital migrant (because both sites are simple to use). Meaning that they are those who had to adapt to digital technology, this leads to the idea that they were born during the late 1960s to mid 1970s. Hence the target audience are both genders aged 50 - 39 years old.


Conclusion 

To my conclusion after analysing the conventions used by the (fashion, music and film) magazines located above, the conventions that I will need to include in my film magazine are: 

Barcode 
Magazine masthead (magazine's brand) 
Main image
Articles/coverlines (that I plan to talk about, within my magazine) 
Date of release 
Film's title 
Price  
Buzzwords

I will need to use the conventions above, as most of the magazines that I have looked at included them. 

I will be following the layout of Filmmaker magazine, but will also be using some of Total film's conventions, as they are a successful internationally known company and their company's publishing institution is located in England, a country where mine and Mikaela's film is located at, Filmmaker on the other hand, has their institution headquarters located in America. It is a good idea for me to do this as I am targeting a fairly young market 

Saturday, 5 October 2013

Examples of Social realism films (PAULINE KATE BALUYUT)

Examples of existing Social Realism films 
Pauline Kate Baluyut


Social realism is a theme that tries to depict characters in the most accurate perspective.


This post will demonstrate various, existing social realism films. These films are: 'The brown bunny', 'The road', 'The wrestler' and 'Eastern promises'.
















The Brown Bunny (released in 2003)

Distributed by: Wellspring media 
Studio(s): Vincent Gallo Production and Wild Bunch
Budget: $10 million 
The DVD case's front cover is done in a simple format; bright yellow background with a black and white image of a woman comforting another figure, with the film's title located above the image itself. This is undoubtedly produced with a low budget, very typical of an independent film advertisements.















The Road (released in 2009)

Distributed by: Filmnation entertainment (worldwide), The Weinstein company (in the USA), Dimension films, and Icon productions (in both the UK and Australia)
Studio(s): 2929 Productions
Budget: $25 million  
Again, like the 'brown bunny' this film's DVD case is simple and lacks colour. In fact this cover is done in black and white with a hint of a blue tint. The image displays a man holding/guarding a smaller childlike male figure. the film's title 'The road' is placed on the bottom middle of the cover and is done in a lighter tone than the rest of the picture, in order for it to stand out against the slightly darker background. A name is displayed on the top middle, of the cover this is done so that onlookers can see which actor/director is involved in the creation of the film; thus attracting attention.














The wrestler  (released in 2008)
Distributed by: Fox searchlight pictures
Studio(s): Saturn films, Wild bunch and Protozoa pictures
Budget: $6 million 
Like the above two DVD covers, the cover for this movie is done in a simple colour palette (black, red and brown), this again coincides with the whole 'low budget' theme, that all independent films have.
As the film's title is the most important convention that this cover displays, it is unsurprising that it is done in the lightest colour - which contrasts well with the dark layout of the cover.
The rest of the text, such as the actor's and director's name are done in a much more darker hue, whilst the film's date of release is done with the exact same colour as the film name, this brings light to what conventions that the editors thought was important.

















Eastern promises (released in 2007)
Distributed by: Pathe (in both, the UK and France), Alliance films (in Canada) and Focus features (in the USA)
Studio(s): Kudos film and Focus features
Budget: $50 million

Friday, 4 October 2013

Conventions of a Social Realism Film (PAULINE KATE BALUYUT)

Conventions of social realism films

Pauline Kate Baluyut

In this 'post' I will highlight the conventions of social realism films through existing movies aimed specifically for the UK market. These are: Shifty, This is England, Sweet Sixteen and Fish Tank.


Shifty












UK release: 2008
Directed by: Eran Creevy.
Budget: £100 000
  1. The film uses fast paced music
  2. Created with a low budget - This is an attribute that social realism films have
  3. Set in a rundown area - As social realism films are generally independent films, they are set in rundown, budget areas
  4. Aimed for the UK audience, as it is an independent film released in the UK 
  5. One well known actor 
  6. Drugs - Again this typical theme is associated with social realism films as problematic characters are shown to surrender into taking drugs, when life gets harder for them
  7. Wide shots - The wide shot allows people to see the setting of the film
  8. Deals with friendship/loyalty - Often social realism films focus on gangs/subcultures


This is England











UK release: April 27, 2007
Directed by: Shane Meadows
Budget: £1, 472 500
  1. Set in an urban, rundown area
  2. Uses slow music 
  3. Race/ religion
  4. Broken family 




Sweet Sixteen













UK release: May 21, 2002
Directed by: Ken Loach 
Budget: N/A unknown low budget

  1. Medium shots are used mainly  
  2. Quick editing
  3. Handheld camera style in order for the spectators to feel as if they are 'in the film'.
  4. Film made with a low budget
  5. Unknown actors are used
  6. Strong Scottish accents
  7.  Film consists of  Strong language - Most social realism films are certificated 15/18. And what distinguishes them from lower aged certification, is the arrival of using stronger bad language. 
  8. Set in urban and rural area   

Fish Tank





















UK release: 2009
Directed by: Andrea Arnold 
Budget: $3, 000 000 / £1, 805 163
  1. Fast paced music - Keeps the audience keen - wanting more. Fast paced music is associated with an energetic scene, in contrast with slow paced music which is associated with a more muted down scenes.
  2. Broken family - Social realism films are mostly aimed at middle income households. Middle class people are often publicised as having a broken family.
  3. Youth - teenagers shown as hanging in subculture groups
  4. Teenager - Shown as problematic and disrespectful
  5. Coming of age
  6. One well known character - This is used so that any fans of the actor/actress will be more eager/attracted to the movie
  7. Medium shots - This gives audiences a sense of the actor's profile, this typical shot also gives view to the film's setting. 
  8. Located in a dreary urban area


Conventions/themes that I will need to incorporate in my film are:
  1. Fast paced music
  2. A broken family
  3. One rising actor
  4. Handheld camera
  5. Location of an urban area
  6. deals with subculture
















Sunday, 29 September 2013

(PAULINE KATE BALUYUT) Analysis of the film, Sweet Sixteen (part one of the movie)

Analysis of the film, Sweet Sixteen (Part 1 of the movie) (2002)

Pauline Kate Baluyut 













Sweet Sixteen is an independent, social realism film released in the UK in  the year, 2002.  It was completed with  a low budget and hired unknown actors.





Narrative
The film deals with a sixteen year old boy (ironically), named Liam who is in a broken family and is involved in the issue of drug dealing.
The title is a play on words as the title 'sweet sixteen' is normally associated with/given to innocent teenage girls celebrating their sixteenth birthday.

This essay will deal with the ways in which the director (Ken Loach) tries to make the film more relatable to it's target audience. The film has three main features, in order to reach this goal. These are: Camera, sound and mise en scene





  • Camera

Lighting

 Personally I didn't find the opening of the film a powerful tool to engage it's viewers. The film opened with a dark setting which lasted for about a minute and a half. This meant that viewers had to rely mainly on their sense of hearing and imagination so that they are able to make sense of what is happening in the film.   
Besides this, the lack of lighting gives the opening a sense of danger.  The theme danger is often associated with social realism films as it often deals with scenarios of the main character in danger. 














From this first scene we see that the main character,  Liam and his friend, Pinball sells things to a group of young children. After this we see a 'friendly' side of Liam as he asks, a  young girl what she sees in the telescope. 

Even as the next scene unfolds, the lighting is still quite dark, as demonstrated on the image located below. The dark lighting may be a 'forecast' or a 'tell tale' that the movie deals with dark matters of society; drug use, such as this film is about.














Shots

The film uses a wide range of shots, these include:
  • Long Shots  
  • Medium Shots 
  • Over shoulder shots
  • Wide shots
  • Close up shots

The film often uses close up shots so that viewers can get a glimpse of what characters are feeling/ their personality. In this scene the main character's face is both lit up and shrouded with shadows. This may indicate that whilst the boy is involved in 'drug use' he is also seen as just an 'innocent child' amongst crimes. This shot also shows that Liam has a 'worried look' on his face, this is so that audiences can see a more 'humane' side of Liam, therefore understanding his character even more.














As well as using close up shots, the film uses wide shots so that the audience can get a glimpse of the setting. This particular wide shot shows viewers that the film is set in rural Scotland.
This shocks the viewers because social realism films are often, only shot in urban areas.
 


In order for the audience to get a better understanding of each character's feelings/emotions towards other characters, the use of over the shoulder shot is used. for example this character looks mockingly at Liam, because he sees Liam as a child.


 
  
Editing: 

Scene 1-Scene 2
The editing for the transition of scene 1 - scene 2, was a straight cut. This may, be so that the viewers can understand more clearly that there are two different sides of Liam's personality.   

Scene 2- Scene 3 
Again the straight-cut, editing is used.  

After viewing the 'sweet sixteen' ( part 1) video entirely, i have realised that the film only uses straight cuts in order to change into the following scene. 
  • Sound   
Scene 1:
From the first scene we hear the voice of the main character selling something to young children, whilst this is happening a soft tune can be heard along with the background noises of trees and cars. The instrument that accompanies this scene seems to be a flute.

Scene 2:  
The soft music (flute) from scene 1 then transforms into fast paced music, as the first scene abruptly cuts to the next. This is shown from the video below (please view it from 01:01-01:43 in order to hear/view this change).



Scene 3: 
The fast paced music from scene two still accompanies this scene. This may be, because it refers to the characters doings. for example when Liam, in scene one, was asking the girl what she sees in the telescope, the music was slow and soft; referring to Liam's 'soft' side. On the other hand when Liam and his friend were caught trying to sell cigarettes in the pub (scene 2) the music changes from soft to fast.

Scene 4: 
There is no music in this scene, only the characters' voices and the car can be heard, this is so that the audience can find this scene more relatable.

Scene 5: 
There is also no music in this scene. 
As Liam and his family enters this scene, we hear the soft mumble of other families and hear the footsteps made by Liam and his family.

  • Mis en scene 
The film is set in a rural run-down town situated in Scotland. 
The first scene shows us that the characters are standing on top of a hill with a view of what seems to be a nearby town.




The first clear location we are shown is a pub. This is where the main character, Liam and his friend are both selling cigarettes and are also both wearing 'hoodies'. Teenagers that are referred to as 'hooligans' are mainly stereotyped as to, be wearing hoodies and baggy jogging bottoms, this is the type of clothes that both Liam and his friend are seen wearing. 


Scene three shows us a town; mainly having grey and damp looking buildings. I have also noticed that there is a small fraction of people shown (excluding the main characters) This gives off a feeling of rural deprivation. 

The last scene, scene 5; informs us of the whereabouts of Liam's mother. Liam's mother is shown to be in prison. This may serve as a reason as to why Liam, was shown looking out of his window during the car journey, seeming to have a worried look on his childlike face. 



  
Conclusion
From watching the film, sweet sixteen (part one) I have gained a clear understanding that the film has a specific, niche target audience. I have gained this understanding through analysing  the use of the camera, sound and mise en scene features. As I and other students found it hard to understand the character's dialects, I have come to the idea that the film, sweet sixteen is targeted to the male Scottish audience, who are 15 years/older. The reason for my belief is, that during the entirety of Sweet Sixteen (part one), there was only one main female character (Liam's mother) which the film intertwines it's story with.  It has been given a 15+ rating because the film contains the use of strong language and has the theme which encircles drug dealing.

Even though 'Sweet Sixteen' was released as an independent film targeted to a niche audience it was widely successful as it had scored an exceptional score on the 'Rotten Tomatoes' website with a 97% on the 'Tomatometer' and gaining an 84% like from the audience. Other websites like 'The Guardian' have also scored the film a high rating, 4 stars. This shows that it has successfully advertised its film to its target audience.



















Thursday, 19 September 2013

Brief

A promotional package for a new film, to include a teaser trailer, together with two of the following three options
A website homepage for a film
A film magazine front cover, featuring the film
poster for the film